![]() ^ "Kool G Rap Chart History (Top R&B/Hip-Hop Albums)"."Kool G Rap & DJ Polo: Wanted: Dead or Alive". The New Rolling Stone Album Guide (4th ed.). In Brackett, Nathan Hoard, Christian (eds.). The Encyclopedia of Popular Music (5th concise ed.). Christgau's Consumer Guide: Albums of the '90s. Rap & Polo: Wanted: Dead or Alive (Cold Chillin')". "Wanted: Dead or Alive – Kool G Rap & DJ Polo". Videos (added to 2007 Traffic Entertainment reissue) "40 Island" by Noreaga featuring Kool G Rap and Mussolini.Produced by Marley Marl, "Rikers Island" is a hardcore hip hop song that warns of the dangers of living a life of crime and ending up in the Rikers Island jail where violence is a daily occurrence and even the toughest street criminals can be broken down. It was later also featured on the compilation albums Killer Kuts (1994) and The Best of Cold Chillin' (2000). "Rikers Island" is the second single from American hip hop duo Kool G Rap & DJ Polo, originally released as a non-album single with "Rhyme Time" as a B-side in 1987 and later re-released as the fourth single from the 1990 album Wanted: Dead or Alive. Rikers Island (single) "Rikers Island"Įast coast hip hop, golden age hip hop, hardcore hip hop Large Professor, Freddie Foxxx, Ant Live) Large Professor's involvement was much larger than on Let the Rhythm Hit 'Em, and the only tracks not noted as being produced by him are the aforementioned "Rikers Island", "Erase Racism" (which was produced by Biz Markie & Cool V) and "The Polo Club". ![]() Large Professor would later address this on Main Source's "Snake Eyes", off the legendary Breaking Atoms. Noting his talents, Barrier gave Large Professor a similar task for G Rap's second album, to produce the beats and let Barrier take the credit. Barrier had enlisted a young Large Professor to ghost produce parts of Let the Rhythm Hit 'Em after the record's original producer, Paul C, was murdered. Known more as a money man than a real DJ or producer, Eric Barrier was responsible for putting on Rakim and getting him his record deal. Marley's lone contribution, "Rikers Island", was a single from 1987, and it seems to have been tacked on to the album at the last minute, as G Rap had no idea it was on there until years later when interviewed about it. Although the title track laid the foundation for much of New York's gangsta rap for the next decade, the album was mostly composed of battle rap based material, in line with other rappers like Rakim and Big Daddy Kane.įor their next album's production the duo jettisoned Marley Marl, in a move similar to other Juice Crew members. After this, the Queens bred duo went into the studio with Marley Marl to cut their first full length, Road to the Riches. More singles followed until G Rap's appearance on " The Symphony", a Juice Crew posse cut that also featured Big Daddy Kane. Kool G Rap & DJ Polo appeared on the New York hip hop scene in 1986, releasing "It's a Demo" (produced by Marley Marl) and becoming recognized members of the Juice Crew. ( July 2017) ( Learn how and when to remove this template message) Unsourced material may be challenged and removed. Please help improve this section by adding citations to reliable sources. Perhaps most significantly, there is greater emphasis on vivid descriptions of crime and urban squalor ("Streets of New York") and references to organized crime, gang violence, contract killing, and Mafia films (the title track, "Money in the Bank", "Death Wish"), which helped cement Kool G Rap's reputation as the founder of mafioso rap. Lyrically, the album shows a greater variety of themes, from the battle rap braggadocio that dominated Road to the Riches, to topics of crime, poverty, racism ("Erase Racism"), and raunchy sex rap ("Talk Like Sex"). State of Mind" from his critically acclaimed album Illmatic. The singles "Streets of New York" and "Erase Racism" received notable airplay on Yo! MTV Raps and the former is credited by Nas as being influential on his song "N.Y. The album was released a year after the duo's debut, Road to the Riches, and received greater acclaim from most music critics. Wanted: Dead or Alive is the second album by the hip hop duo Kool G Rap & DJ Polo.
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![]() Now, each two page spread will pick up the non printing spread number and repeat it on both left and right side. Enter the text variable in the text frame Go to master page and create text frame where you want the page number to appear on left and right pages.ħ. Select ?running header (paragraph style)? as typeį. Define a text variable as a running header.Ĭ. Enter the number of the spread in the text box on each spread.ĥ. It will show on the page but will not printĤ. Create a text frame on the left page of each two page spread on this layer with this style. Create a new, unique paragraph style which the text variable can use. Add a new layer and make it non printing.Ģ. Your solution did not work for me but the following works.ġ. ![]() A customer wanted the same page number repeated on both left and right pages. Use the File > Open menu in InDesign CS2 or CS3 to reconstitute the INX file back into an INDD layout file. I know Klaus is going to ask (heh), so yes, you can download the spreadnumbering.inx layout file I used to create the screen shots above, before I flowed in the text file, if you want to inspect it yourself. For example, here’s the lower-right corner of the page 14?15 spread: And since the paragraph style is a numbered list, you’ll see each each spread get “numbered” in increments of one. Since each frame can hold only one paragraph, autoflowing the text file will generate a ton of spreads (easily deleted afterwards, or just edit the text file before placing it). Shift-click the loaded place cursor over the frame where the spread numbers should appear to autoflow in the entire text file. Don’t have one hanging around? Here’s one I created in Text Edit, called “returns.txt,” that has about 200 empty returns. Choose File > Place, and select a text file that’s comprised of a series of empty carriage returns, one after the other. Go to the document spread where you want the spread numbering to begin. If you want, you can select the number frame with the Selection tool and choose the spread number paragraph style (as I’ve done below) so the text you’re going to put in there will automatically be styled correctly. Any text you’d like to appear next to the spread number should be in its own separate frame on the master page. ![]() If you inserted any text or even an empty carriage return (as I did above, to test the frame size) into the spread number text frame on the master page, delete it now, otherwise this method won’t work. Uh-huh … can you see where I’m going with this? Even though the paragraph has no text, it still gets a number because of the numbered list settings in the style. In the screen shot below, I’ve zoomed into my spread number text frame on the master page (see the dotted blue text frame?) and inserted an empty paragraph, styled with my “spread numbers” paragraph style, to help me judge the height. (Just one frame per multi-page spread, of course.) Make it shallow enough so only one line of a paragraph, styled with your spread number paragraph style, will fit inside. Next, put a single text frame on the master spread where you want the spread number to appear. (In CS2, just choose None in the Separator field’s menu.) Make sure the style includes settings for a numbered list, and that in the Numbering Style > Number field, you remove the tab (^t) and the “.” (the dot) that comes after the paragraph number by default, as I’ve done below. It doesn’t involve any combination of auto page numbering tricks (e.g., “put both previous and current page numbers on the same page”), as I outlined in this older post, but if you can figure out a way, please tell us in a comment!įirst, create a paragraph style just for the spread numbers–font, alignment, etc. I’ve thought about it and have come up with a solution, a little bit of a kludge and it requires CS2 or CS3, but definitely easier than using sections. Right now I am using section markers to create a new section for each spread. At the end I want to be able to use InBooklet to do the imposition for me. I just want InDesign to number every second page, as I would like the spreads to be numbered rather than each individual page. Yet another e-mail with the same question came in today, this time from a graphic designer named Jazmine: I’ve never actually seen a publication numbered in this way so I’m not sure why people keep asking how to do it! Some users need page 1 to be numbered “1” (first spread), page 3 to be numbered “2” (second spread), page 5 numbered “3,” page 7 numbered “4” and so on. I frequently get asked how to create automatic spread numbers–as opposed to automatic page numbers–in an InDesign layout. ![]() That means that it’s possible to combine them all and just mention a handful of special exceptions. All our bases are covered and you’ve got a solid foundation in German that doesn’t involve 10 mind-numbing, overwhelming, unnecessary charts. Can you see the similarities and differences? Definite & Indefinite Articles Charts, Comparedįirst, compare the definite & indefinite articles charts to each other. There are only 3 spots (<– out of 16, not bad!) when that isn’t the case, in the: That’s it! As a rule, the very last letter of each version of ‘the’ and each version of ‘a’ is the same. All-In-One Chart Combines Both Articles Charts! There is much more that the two conventional charts (and the other 8 I mentioned!) have in common than not - that’s why we can combine the charts into one that simply has 3 exception spots. Now, look again at the definite articles and indefinite articles charts with this new All-In-One Chart below them for easy reference. Those are taken care of, too! There is a listed in the same three exception spots where the indefinite article chart is not identical to the definite articles, in the: What about our 3 exception spots when dealing with indefinite articles? The same final letters on the various ‘the’s and ‘a’s are the same letters you see listed under the in the All-In-One Chart. Keep reading! Forget About Definite & Indefinite Articles How exactly to read & use the All-In-One Chart will be covered in depth below. To talk about definite and indefinite articles is to categorize things all wrong! I hate talking about definite and indefinite articles. ![]() So, please please please forget all about definite and indefinite articles. I’m pretty sure you’ll have no problem remembering how to say ‘the’ (e.g. |
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